Through the exploration and research in primary texts, Slavic history, and folklore theory, three main aspects of a prevalent figure in Slavic Folklore will be addressed. These three main aspects describe the life, origin, symbolism and the roles of Baba Yaga. Primarily, this research will focus on the etymology of Baba Yaga and her main characteristics. In addition, the exploration will include the comparison of Baba Yaga as either good or evil. Lastly, there will be an in-depth look at Baba Yaga’s roles in her marginal position between both the world of living and the otherworld. With this research will come answers about a figure in Slavic folklore that has been greatly speculated about. Still, there isn’t a concrete definition of Baba Yaga but through research and the Slavic Folklore, Baba Yaga can be primarily viewed through the phases of the moon, as good or evil, a villan, a donor or even as a mother figure.
Conclusion
Baba Yaga may still not have a concrete definition or role in Slavic Folklore, but she remains a key figure in many different types of folklore. Whether good or evil, she is still able to intrigue us with her mysterious ways, yet deter us with her unpleasant actions and gruesome appearance. However, though she may remain mysterious, Baba Yaga plays a crucial role in the character development of the heroes. Baba Yaga’s different roles shed light onto who the hero is becoming. Her tasks for female characters act a test on their transformation into womanhood and their readiness for husbandry and housekeeping (Forrester, Sibelan E. S., et al.). Her ruthless attitude and behavior towards male characters and failure to present them with tasks is symbolic of their transition into manhood and their growing ability to fend for themselves. Baba Yaga’s actions and behaviors act as a definitive role in the maturing and developing of these young characters.